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Milagros - About Our Products

   
 

 

In 1990 Tom travelled in an old Saab from California to Mexico. He was swept away by the beauty of the county and the bold, colourful and strange aesthetic qualities in their Art and Craft. He abandoned a career in academia and returned a year later to established Milagros.

Tom has travelled extensively through Mexico and has clocked thousand of miles. He has thorough knowledge and understanding of the country and the culture. He has an ability to find the remotest villages, a good eye and fluent Spanish.

 
61 Columbia Road, London shop interior Milagros  
Mexico is a vast and beautiful country. It straddles the Americas like a bridge. Mexico rises steeply from sea level to form the Alto Plano, it's highest point, an extinct volcano Pico de Orizbo just outside Mexico City, snow capped at 5610 meters. It is a high plateau, which has been twisted, lifted and folded again and again by geological forces and left thousands of mountains. It has latitude similar to Mali. It is the altitude that makes the summer bearable, the evenings and mornings cool. It is a country of deserts, volcanoes, green pine forests, two oceans and one sea. It has the one percent of the worlds land mass and 10% of the worlds flora and fauna, crocodiles, whales, toucans, parrots, armadillos.

Mexico has kept a strong identity and culture. It is the embodiment of the familiar and unfamiliar the European and the Indigenous American. It is both pre industrial and post industrial. People have maintained a way of life that would be familiar to those living 2000 years ago. Farming small plots of land with oxen, keeping goats and hens and supplementing their income with ceramics, weaving, carving.
   
 

Why buy an object made by hand when they can be machine manufactured for less? There is something in our post industrial psyche that makes us long for a pre industrial past. Somehow encapsulated within these objects it appears to exists or be within reach.

The objects are not made on the production line but made and judged with the human hand and eye. Their making is not hurried and rushed but marks a gentler passing of time.

The objects are not perfect. The glass often has bubbles or marks where the tools where used to form it. But beauty as determined by the

The pieces often reflect the character of the individual makers. A metaphorical handprint is left on the object.

In the Oaxacan villages where the woodcarving comes from, some of the makers have transformed their lives through carving. The ceramists have with the help of the World Bank been able to make their pottery with lead free glazes and expand their market into the USA.

Some of the potters will dig the clay themselves to make ceramics. The carvers cut the wood to make the wooden carving and the weavers grow the cotton to make the bags. Artisans are frequently involved in all parts of the making process.

Often almost the whole village is involved in the production of a particular craft item. Around lake Patzcuaro craft communities established by the enlightend Bishop Quiroga in the seventeenth century still continue to make their designated craft.

Sometimes a new tradition such as the wooden creatures form Oaxaca or the ceramic figures from Ochmochi springs up and sometimes it is a tradition that has been past from generation to generation such as weaving on a back strap loom or making burnished copper pots.