| |
| |
Milagros
- About Our Products |
|
|
| |
In
1990 Tom travelled in an old Saab from California
to Mexico. He was swept away by the beauty of the
county and the bold, colourful and strange aesthetic
qualities in their Art and Craft. He abandoned a career
in academia and returned a year later to established
Milagros. Tom
has travelled extensively through Mexico and has clocked
thousand of miles. He has thorough knowledge and understanding
of the country and the culture. He has an ability
to find the remotest villages, a good eye and fluent
Spanish.
|
|
|
 |
|
|
|
|
|
|
Mexico is a vast and beautiful country. It straddles
the Americas like a bridge. Mexico rises steeply from
sea level to form the Alto Plano, it's highest point,
an extinct volcano Pico de Orizbo just outside Mexico
City, snow capped at 5610 meters. It is a high plateau,
which has been twisted, lifted and folded again and
again by geological forces and left thousands of mountains.
It has latitude similar to Mali. It is the altitude
that makes the summer bearable, the evenings and mornings
cool. It is a country of deserts, volcanoes, green pine
forests, two oceans and one sea. It has the one percent
of the worlds land mass and 10% of the worlds flora
and fauna, crocodiles, whales, toucans, parrots, armadillos.
Mexico has kept
a strong identity and culture. It is the embodiment
of the familiar and unfamiliar the European and the
Indigenous American. It is both pre industrial and post
industrial. People have maintained a way of life that
would be familiar to those living 2000 years ago. Farming
small plots of land with oxen, keeping goats and hens
and supplementing their income with ceramics, weaving,
carving.
|
|
| |
 |
|
| |
Why
buy an object made by hand when they can be machine
manufactured for less? There is something in our post
industrial psyche that makes us long for a pre industrial
past. Somehow encapsulated within these objects it
appears to exists or be within reach.
The
objects are not made on the production line but made
and judged with the human hand and eye. Their making
is not hurried and rushed but marks a gentler passing
of time.
The objects
are not perfect. The glass often has bubbles or marks
where the tools where used to form it. But beauty
as determined by the
The pieces often
reflect the character of the individual makers. A
metaphorical handprint is left on the object.
In
the Oaxacan villages where the woodcarving comes from,
some of the makers have transformed their lives through
carving. The ceramists have with the help of the World
Bank been able to make their pottery with lead free
glazes and expand their market into the USA.
Some
of the potters will dig the clay themselves to make
ceramics. The carvers cut the wood to make the wooden
carving and the weavers grow the cotton to make the
bags. Artisans are frequently involved in all parts
of the making process.
Often
almost the whole village is involved in the production
of a particular craft item. Around lake Patzcuaro
craft communities established by the enlightend Bishop
Quiroga in the seventeenth century still continue
to make their designated craft.
Sometimes
a new tradition such as the wooden creatures form
Oaxaca or the ceramic figures from Ochmochi springs
up and sometimes it is a tradition that has been past
from generation to generation such as weaving on a
back strap loom or making burnished copper pots.
|
|
| |
|
|
| |
|
|
| |
|
|
|
|